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Showing posts with label pavilion. Show all posts
Showing posts with label pavilion. Show all posts

Pavilion in Lincoln Park Zoo. Chicago.

South Pond Pavilion by Studio Gang
Architectural filmmakers Spirit of Space have created this video of a pavilion situated in Chicago’s Lincoln Park Zoo, designed by US architects Studio Gang.


Click on the symbol in the bottom right of the video player above to view the movie in full-screen HD.
Can’t see the movie? 
Click here.
The movie shows the construction of the bent-wood lattice structure, the installation of fibreglass shells to the top of the pavilion providing shelter and its various uses throughout day and night.
South Pond Pavilion by Studio Gang
Studio Gang Architects also designed the boardwalk surrounding the 19th century pond, improving the water quality and habitat for the local wildlife and creating an educational nature trail.
South Pond Pavilion by Studio Gang
The new pavilion is used as an outdoor classroom, for yoga sessions and other activities.
South Pond pavilion by Studio Gang
Here a little more from Studio Gang:
South Pond
Lincoln Park Zoo
Chicago, USA


The project transforms a picturesque urban pond from the 19th century into an ecological habitat buzzing with life.
South Pond pavilion by Studio Gang
With the design’s improvements to water quality, hydrology, landscape, accessibility, and shelter, the site is able to function as an outdoor classroom in which the co-existence of natural and urban surroundings is demonstrated.
South Pond Pavilion by Studio Gang
A new boardwalk circumscribing the pond passes through various educational zones that explicate the different animals, plants, and habitat found in each.
South Pond Pavilion by Studio Gang
A pavilion integrated into the boardwalk sequence provides shelter for open-air classrooms on the site.
South Pond Pavilion by Studio Gang

Inspired by the tortoise shell, its laminated structure consists of prefabricated, bent-wood members and a series of interconnected fiberglass pods that give global curvature to the surface.

South Pond Pavilion by Studio Gang

Architect: Studio Gang Architects
Owner: Lincoln Park Zoo
Status: Completed 2010


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French Pavilion, Shanghai Expo 2010.



Shanghai Expo 2010: photographer Montse Zamorano has sent us some photographs of the completed French Pavilion at the Shanghai Expo 2010, designed by Jacques Ferrier Architectures.

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Wood Pavillion in Oslo.


Architecture students Wing Yi Hui and Lap Ming Wong of the Oslo School of Architecture and Design have completed a domed latticed pavilion as part of a performance-oriented design project.



The pavilion is made up of several laminated strips of wood that have been bent in the middle and joined together, forming a diamond-shaped lattice-work.

Adding moisture to the thin wooden elements resulted in them curving across the grain, thus increasing their structural capacity.

The aim of the project was to investigate the intrinsic capacities and performance of wood and was conducted by Prof. Michael U. Hensel, Defne Sunguroğlu Hensel and Prof. Dr. Birger R. Sevaldson.

Here’s some more information about the project:

The project seeks the equilibrium of precise control and natural response of the intrinsic wood capacities and aims to transform an everyday life material and methodology into a novel life. The research went through a series of intensive experiments on the performance of wood upon various stimulations. A number of crucial parameters were extracted for further development: the hygroscopic performance and anisotropic behavior of wood.
Due to these two specific behaviors of wood, surface moisturization results in curving across grain and increases the structural capacity of a flat piece of wood. This is attributed to the development of swelling pressure within the microstructure of wood and is especially significant when moisturizing veneer. During the process of swelling, pressure difference among cells results in energy storage within the micro structural system. By applying lamination constraints to the curved veneer before the rebound upon drying, energy can be stored. Through testing the process of lamination and deformation, specific system with highly variable geometry can be explored.

Precise control on lamination area creates predictable hollow structural support and geometrical connection, while the natural response from wood upon lamination and connection creates responsive secondary layer of structure, enclosure and porosity. Experimental models and systems go through both physical and digital evaluations.
Due to the complexity of structural arrangement and performance of wood, accurate simulations can hardly be done solely with digital computation. The evaluations and explorations are done by oscillating between digital methodology and physical experiments throughout the research process.

The computational tool predicted the approximate dimensions, global geometry and compositional curvature while physical tests are carried out to combine the material performance with computer-generated data for further evaluations. Material performance became extremely crucial and prior as the system can never coincide with data generated from pure digital computation and fabrication. The relationship between the tools create unique interface for generation of the emergent typologies and global geometry of performance-oriented exploration as such.

At the later stage of the research, strategic moisturization, translucent qualities of thin veneer and elasticity of wood are being explored with very thin veneer (thickness=0.6mm) into potential architectural element. Full-scale construction is being conducted as an experiment. The global geometry with systematic assembling is determined by parametric setup with environmental and atmospheric data.
The construction consisted of 46 groups of components while each of them consisted of 5 components: 36 identical groups of them are fabricated for the major structure, while 3 components in 6 groups of the total are fabricated differently for extreme curvature shift.

As the system focuses on the equilibrium of natural behavior as well as precise lamination, the allowance in between the components illustrates the elasticity within the lightweight structure. Adding components and varying lamination position and area creates significant internal self-organization of the system and generate highly differentiated geometry.

Without the use of formworks and advanced computational machines to facilitate the fabrication process, curvature within the global geometry in all direction as well as porosity of the assembly can be manipulated simply by varying the parameters of lamination positions and area. Standardized and identical components are then performing with customized post-construction alterations without fabrication of unique components or pre-shaped elements. Standardization could actually achieve customization in the research without production large amount of waste.
By understanding the performance of material, and allowing it to perform its intrinsic properties, innovative and sustainable methodology of architectural production could be emerged as a natural response. Deformation of wood due to moisture is no longer a nuisance but a benefit to fabrication.

Performance-oriented design: Wood Pavilion
Students: Wing Yi Hui, Lap Ming Wong from Oslo School of Architecture and Design
Performance-oriented design studio, Conducted by: Prof. Michael U. Hensel, Defne Sunguroğlu Hensel and Prof. Dr. Birger R. Sevaldson.
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The German pavilion. Shanhai 2010.



Shanghai Expo 2010: architectural photographer Iñigo Bujedo Aguirre has sent us another update from Shanghai Expo 2010; this time the German Pavilion designed by architects Schmidhuber + Kaindl.

The pavilion is called “balancity” and represents “a city in balance between renewal and preservation, innovation and tradition, urbanity and nature, society and its individuals, work and recreation, and finally, between globalisation and national identity”.

All photographs are copyright Iñigo Bujedo Aguirre/View and are used with permission.

Shanghai Expo 2010 opens on 1 May; see all our stories about the Expo here. Here’s some text from the architects’ website:


Central Idea
At the german pavilion in Shanghai, the Federal Republic of Germany is presenting itself as a multifaceted nation rich in ideas. As an innovative, forward-looking country that also places great value on the preservation of its roots and heritage. Diversity and balance, rather than ’sameness’, are vital to tomorrow’s cities.

The interplay between the diversity and contrasts of German cities enables a very special quality of life and vitality to emerge. This is why we believe it is essential to preserve this diversity without forgoing innovation and technology.

The Federal Republic of Germany is intent on conveying this very personal German perspective credibly and memorably. Germany’s contribution to the EXPO 2010 ‘Better City, Better Life’ theme is called: balancity a city in balance between renewal and preservation, innovation and tradition, urbanity and nature, society and its individuals, work and recreation, and finally, between globalisation and national identity. This central idea can be directly experienced by visitors everywhere in the German pavilion. Balancity a marriage of the terms ‘balance’ and ‘city’ is Germany’s interpretation of the ‘Better City, Better Life’ Expo theme.

balancity
The thinking behind balancity is clearly reflected in the pavilion architecture. A city symbolises the balance between diversity and density, and is composed of many different historical layers, spaces, functions and environments. In many cities, the industrial evolution from a production to a service orientation has led to large industrial spaces being transformed into attractive parks and residential environments.

Nature and natural landscapes re slowly but surely finding their way into the city. In contemporary European urban planning, the historically defined antipodes of city and country are now dovetailing towards a single cohesive organism. The resulting consciousness and commitment to sustainable, energy-efficient living concepts are leading to a definite integration of nature into urban spaces and architectural concepts. The architecture of the German pavilion is very much like a dynamic, urban organism, an accessible three-dimensional sculpture, mirroring the diversity of life in the city and the country in Germany.


The German pavilion as a sculpture

Four large exhibition structures stand as symbols for the interplay between carrying and being carried, between leaning on and supporting. Each individual structure, on its own, is in a somewhat precarious state of balance. It is only in interaction with the other structures that a stable balance is found. This is the concept behind balancity from an architectural perspective.
The four structures together create a large roof over the pavilion landscape, offering visitors shade and protecting them from rain. An exciting interplay of interior and exterior space, of buildings and nature, of urban and rural landscapes. The journey through the exhibition structures is set up like a promenade.

The visitors move along pathways, at times on moving walkways, as they are led through the various urban spaces. Double storeys merge with single storeys, and the slops and turns in the different spaces moderate the visitor flow.

At the end of the path, the visitor reaches a twelve-metre high, vertical amphitheatre-like room the Energy Source. Following he show in the Energy Source, the visitor is gradually led downwards in a spiral consisting of three staircases, where he finally reaches the pavilion’s event area.

Information
Project: EXPO 2010 Shanghai Deutscher Pabilion “balancity”
Overall responsibility: German Federal Ministry of Economics and Technology, Bonn
Organisation and Operation: Koelnmesse International GmbH, Cologne
Design, planning and realisation: Consortium German Pavilion Shanghai
Architecture: Schmidhuber + Kaindl GmbH, Munich
Exhibition: Milla and Partner GmbH, Stuttgart
Construction: NUSSLI (Germany), Roth

Local architect: he playze, Shanghai
Project management: BS Engineering Consulting Shanghai Co., Ltd.
Design/Construction Service: Shanghai Xiandai Architectural Design (Group) Co., Ltd.
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UK. Pavilion. Shangai 2010.



Shanghai Expo 2010: Thomas Heatherwick’s UK Pavilion is nearing completion for the Shanghai Expo 2010.



Called Seed Cathedral, the wooden structure is pierced by 60,000 fibre-optic rods that each contain plant seeds at their tips.



These rods will draw light into the pavilion during the day and direct it outwards at night.


After the expo the rods and seeds will be distributed to schools in China and the UK.
The Shanghai Expo will take place 1 May to 31 October 2010.
More information in our earlier stories here and here.
The following information is from Thomas Heatherwick:


THE DESIGN OF THE UK PAVILION
AT THE 2010 SHANGHAI EXPO


The UK Pavilion at the 2010 Shanghai Expo expresses British creativity and environmental engagement at the biggest event of its kind since the Expo phenomenon began in 1851 with the Great Exhibition at London’s Crystal Palace. Since then, there have been more than 50 Expos – which have also been known as World’s Fairs or World Expositions – and the most spectacular have included those at Chicago in 1893 and Paris in 1900. The latter attracted 50m visitors, a record at the time, setting an early benchmark for a country’s portrayal of innovation and progress.
Held under the auspices of the Bureau International des Expositions, the Shanghai Expo will be the largest the world has ever seen. Staged on a 5.28km2 city centre site beside the Huangpu River, it features pavilions representing the ideas and cultural and commercial ambitions of more than 200 countries and international organisations. Visitor numbers are expected to reach a record 70m during the six month event, which runs from May 1 to October 31.
The UK Pavilion has been designed by Heatherwick Studio. Led by the internationally-acclaimed Thomas Heatherwick, his design team won the Foreign & Commonwealth Office (FCO) commission to create the Pavilion following a competition that attracted a shortlist of ambitious architectural proposals from other teams led by Zaha Hadid Architects, John McAslan + Partners, Marks Barfield Architects, Avery Associates, and DRAW Architects with dcmstudios.
Heatherwick Studio’s initial design strategy for the UK Pavilion established three aims to meet the FCO’s key expectation that the pavilion should become one of the five most popular attractions at the Expo. The first aim was to design a pavilion whose architecture was a direct manifestation of what it was exhibiting. The second idea was to ensure a significant area of open public space around it so visitors could relax and choose either to enter the pavilion building, or see it clearly from a calm, non-queuing vantage point. And thirdly, it would be unique among the hundreds of other competing pavilions, events and programmes.
Heatherwick Studio sought an approach that would engage meaningfully with Shanghai Expo’s theme, Better City, Better Life, and stand out from the anticipated trend for technology driven pavilions, filled with audio-visual content on screens, projections and speakers.
In collaboration with a wider project team, the studio developed the idea of the UK Pavilion exploring the relationship between nature and cities. Rather than creating a conventional advertisement for the UK, this was a subject that could make a real contribution to the Expo’s theme; London is the greenest city of its size in the world, the UK pioneered the world’s first ever public park and the world’s first major botanical institution, the Royal Botanic Gardens at Kew.
From here came Heatherwick’s idea of involving Kew Gardens’ Millennium Seedbank whose mission is to collect the seeds of 25% of the world’s plant species by 2020.
The design process evolved to produce two interlinked and experiential elements: an architecturally iconic Seed Cathedral, and a multi-layered landscape treatment of the 6,000m2 site.
The Seed Cathedral sits in the centre of the UK Pavilion’s site, 20 metres in height, formed from 60,000 slender transparent fibre optic rods, each 7.5 metres long and each encasing one or more seeds at its tip. During the day, they draw daylight inwards to illuminate the interior. At night, light sources inside each rod allow the whole structure to glow. As the wind moves past, the building and its optic “hairs” gently move to create a dynamic effect.
Heatherwick previously experimented with texture and architecture at a much smaller scale with his Sitooterie projects. The Seed Cathedral is the ultimate development of this.
Inside the darkened inner sanctum of the Seed Cathedral, the tips of the fibre optic filaments form an apparently hovering galaxy of slim vitrines containing a vast array of embedded seeds. The seeds have been sourced from China’s Kunming Institute of Botany, a partner in Kew Royal Botanic Gardens’ Millennium Seed Bank Project. Visitors will pass through this tranquil, contemplative space, surrounded by the tens of thousands of points of light illuminating the seeds.
These fibre optic filaments are particularly responsive to external light conditions so that the unseen movement of clouds above the Seed Cathedral are experienced internally as a fluctuating luminosity. The studio’s intention is to create an atmosphere of reverence around this formidable collection of the world’s botanical resources; a moment of personal introspection in a powerful silent space.
The Seed Cathedral is made from a steel and timber composite structure pierced by 60,000 fibre optic filaments, 20mm square in section, which pass through aluminium sleeves. The holes in the 1 metre thick wood diaphragm structure forming the visitor space inside the Seed Cathedral were drilled with great geometric accuracy to ensure precise placement of the aluminium sleeves through which the optic fibre filaments are inserted. This was achieved using 3D computer modelling data, fed into a computer controlled milling machine.
This accuracy ensures that the Seed Cathedral’s fibre optic array creates an apparent halo around the high structure, with the fibre optic filaments rippling and changing texture and reflectivity in the gentlest wind. The wavering external surfaces of the Seed Cathedral form a delicate connection between the ground and the sky.
Among the Expo’s sea of hard surfaces, the Seed Cathedral’s surrounding landscape is conceived to act as a continuation of the building’s texture. A special artificial grass surface has been uniquely developed to act as a welcoming and restful public space for Expo visitors. Beneath the Seed Cathedral and the landscaped surface area is a canopied and naturally ventilated entrance and exit sequence for the Seed Cathedral. This circulation zone, running along three edges of the site, contains a narrative of three innovative environmental installations designed by London-based design studio, Troika. They are: Green City, Open City, and Living City.
Below the circulation zone is a further layer of spaces which can be used for cultural and commercial events hosted by the Foreign and Commonwealth Office and is available to hire by other organisations throughout the duration of the Expo.
The creation of the extraordinary and complex Seed Cathedral structure and the landscape architecture was achieved through close collaboration between construction managers Mace, lead engineers Adams Kara Taylor, services engineers Atelier Ten and highly skilled Chinese engineers and contractors. In order to reduce unnecessary transportation, 75% of the materials for the UK Pavilion have been sourced from within a radius of 300km around Shanghai. It is also the British government’s intention that most of the materials of the UK Pavilion will be reused or recycled at the end of the Expo.
The UK Foreign & Commonwealth Office believe that the Seed Cathedral and UK Pavilion site will prove to be one of the Shanghai Expo’s star attractions. Even before the start of the Shanghai Expo, that belief already has some substance; ever since Heatherwick Studio’s design was first publicised in Shanghai in 2009, along with the scores of other national pavilion designs, it has been consistently ranked in the top five in terms of public popularity, and the Seed Cathedral has already been nick-named Pu Gong Ying, translated as ‘The Dandelion’ by the Chinese public.
After the Expo just as dandelion seeds are blown away and disperse on the breeze, the Seed Cathedral’s 60,000 optic hairs, each one containing the huge potential of life, will be distributed across China and the UK to hundreds of schools as a special legacy of the UK Pavilion at the 2010 Shanghai Expo.
Location: Shanghai, China
Public Opening: 1st May 2010
Site area: 6000m2
Seed Cathedral dimensions:25m x 25m x 20m
Seed Cathedral floor area: 105m2
Optic fibres: 60,588
Optic fibres length: 7.5m
Seeds in Seed Cathedral: 217,300
Landscape area: 4490 m2
Public park area: 2405 m2
Accommodation area: 1525 m2
Exhibition area: 1280 m2
Lead Designer: Heatherwick Studio Project team: Thomas Heatherwick, Katerina Dionysopoulou, Robert Wilson, Peter Ayres, Stuart Wood, Ingrid Hu, Jaroslav Hulin, Chiara Ferrari and Ramona Becker
Main Client: Foreign & Commonwealth Office
Project Manager: Mace Group
Structural Engineer: Adams Kara Taylor
Environmental Engineer: Atelier Ten
Fire & Risk engineering: Safe Consulting
Executive Architect: Architectural Design & Research Institute of Tongji University

Supporting Architects: RHWL
Quantity Surveyor: Davis Langdon & Seah
Walkway Exhibition Design: Troika
Content Advisory Team: Mark Jones, John Sorrell, David Adjaye
Content Advisor: Philip Dodd
Content Coordinator: Adriana Paice
Funding – Sponsors – Public Sector: Foreign & Commonwealth Office UK Trade & Investment British Council Department for Communities and Local Government Department for Environment,
Food and Rural Affairs Department for Business, Innovation and Skills, England’s Regional Development Agencies,
Sponsors – Private Sector: AstraZeneca, Barclays, BP, Diageo, GKN
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