Dior Homme Fall/Winter 2012 Campaign. Karl Lagerfel.d

With the lens of Karl Lagerfeld, Dior Homme has released its new Fall / Winter 2012 ad campaign. Designed by Jacob K, Dior Homme campaign features Daisuke Ueda, Hao Xiang Yun Nan Fulong. What do you think of the new styles?

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Robert Pattinson will feature the last face of Dior Homme.

Robert Pattinson will feature the last face of Dior Homme fragrance in a new ad campaign reported a value of $ 12 million.Twenty-six years old, Pattinson presented in a print and advertising campaign for the label famous films, which was established by designer Christian Dior in 1946.

Does this mean that the current brand image, Jude Law, is out of work? The details are unclear, and until now there has been no official statement from Dior, which has not responded to requests for comment.

Other faces of the brand include the best actress Oscar winner Marion Cotillard trio, Charlize Theron, and Natalie Portman, who recently promoted perfume and bags under the banner of Dior.

Born in London in 1986, Robert Pattinson first played in Harry Potter and the Goblet of Fire before hitting the global success with his role as Edward in the teen vampire thrillers of the Twilight saga, along with current girlfriend Kristen Stewart.

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Dior Collecttion.

Raf Simons had several daunting tasks in the run-up to his hotly anticipated pret-a-porter debut for Dior. Fundamentally, he had to find a way of combining the house's archives with his own pared-down style and appetite for bracing pops of color. On top of that, he's had to consider, or deliberately eliminate, references to John Galliano's long tenure, while not alienating the house's loyal clientele. He's also had to acknowledge his Dior couture collection in June, and perhaps also his final collection at Jil Sander. Then there is the fact that to his most faithful fans, he is an avant-garde men's designer with a penchant for gritty graphics.




The result was a balanced and measured spring collection, a fusion of familiar elements punctuated by moments of new brilliance. If Simons had been feeling pulled in a million directions, it rarely showed in the clothes.







The first to emerge were lean tuxedo suits, followed by flouncy mini-dresses and extra-short shorts. A series of knotted short dresses in iridescent pastels came next, an evocative mix of rave culture and prom night. Paillette appliques resembling Rorschach tests appeared here and there, as did asymmetric pleating, color-blocking, wide horizontal stripes, and long tulle overlays that could've been taken straight from the Dior archives, culminating with flower-print ball gowns worn with tight black T-shirts.








The overall effect was one of forward-looking boldness without a wisp of disrespect or insensitivity—just the way Monsieur Dior would have wanted it, and just the way Dior execs surely hoped for.

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