The Pierres Vives building of the department de l’Herault is characterised by the unification of three institutions – the archive, the library and the sports department – within a single envelope.
Spatial Organisation
The main vehicular access road- both for public visitors as well as for staff and service vehicles, is coming off Rue Marius Petipa, and provides access to either side of the building. The public access leads to the generous visitor car park right in front of the main entrance lobby. The service access is stretched along the opposite side.
These various parts of this “cite administrative” combine into a strong figure visible far into the landscape. As one moves closer, the division into three parts becomes apparent. The building has been developed on the basis of a rigorous pursuit of functional and economic logic. However, the resultant figure is reminiscent of a large tree- trunk, laid horizontal.
Photography is by Hélène Binet.
This longitudinal division of serviced and servicing spaces is maintained within the ground floor along the full length of the building. The front side contains all the public functions of each institution, linked by a linear lobby and an exhibition space in the centre. Above this connective ground level the three institutions remain strictly separated. Each has its own set of cores for internal vertical circulation. The lay-outs of each part follow their specific functional logic.
Upon arrival at the main entrance, one is directed from the lobby either to the educational spaces of the archives on ground level; or via lifts and escalators to the main public artery on level 1.
The archive is located at the solid base of the trunk, followed by the slightly more porous library with the sports department and its well-lit offices on top where the trunk bifurcates and becomes much lighter. The branches projecting off the main trunk are articulating the points of access and the entrances into the various institutions. On the western side all the public entrances are located, with the main entrance under an enormous cantilevering canopy; while on the eastern side all the service entrances, i.e. staff entrances and loading bays are located. In this way the tree-trunk analogy is exploited to organise and articulate the complexity of the overall “cite administrative”.
The Pierres Vives Building will accommodate the multimedia library, public archive and sports department of the Herault regional government and is due to be inaugurated on 13 September.
A recessed section of green-tinted glass runs along the length of the facade, where a first-floor foyer connects the library and offices with shared facilities that include meeting rooms, an auditorium and an exhibition space.
These shared facilities are contained inside a curved concrete block, which bursts through the glazing to shelter the main entrance on the ground floor below.
Zaha Hadid has also been in the news recently over claims she was to blame for tickets sold at the Olympic Aquatics Centre for seats with restricted views.
This artery is articulated all along the facades as a recessed glass strip and here reading rooms of both archives and library are immediately accessible. Central in this artery and therefore located at the heart of the building, are the main public facilities shared between the three institutions: auditorium and meeting rooms. These shared public functions also form the central volume that projects out from the trunk, providing a grand cantilevering canopy for arriving visitors.
Project: Pierres Vives
Location: Montpellier, France
Date: 2002 / 2012
Client: Departement de l’Herault
Size: 35,000 m2
Architectural Design: Zaha Hadid
Project Architect: Stephane Hof
Local Architect:
Design Phase: Blue Tango
Execution Phase: Chabanne et Partenaires
Structure: Ove Arup & Partners
Services: Ove Arup & Partners (Concept Design) & GEC Ingenierie
Acoustics: Rouch Acoustique Nicolas Albaric
Cost: Gec LR, Ivica Knezovic
Spatial Organisation
The main vehicular access road- both for public visitors as well as for staff and service vehicles, is coming off Rue Marius Petipa, and provides access to either side of the building. The public access leads to the generous visitor car park right in front of the main entrance lobby. The service access is stretched along the opposite side.
These various parts of this “cite administrative” combine into a strong figure visible far into the landscape. As one moves closer, the division into three parts becomes apparent. The building has been developed on the basis of a rigorous pursuit of functional and economic logic. However, the resultant figure is reminiscent of a large tree- trunk, laid horizontal.
Photography is by Hélène Binet.
This longitudinal division of serviced and servicing spaces is maintained within the ground floor along the full length of the building. The front side contains all the public functions of each institution, linked by a linear lobby and an exhibition space in the centre. Above this connective ground level the three institutions remain strictly separated. Each has its own set of cores for internal vertical circulation. The lay-outs of each part follow their specific functional logic.
Upon arrival at the main entrance, one is directed from the lobby either to the educational spaces of the archives on ground level; or via lifts and escalators to the main public artery on level 1.
The archive is located at the solid base of the trunk, followed by the slightly more porous library with the sports department and its well-lit offices on top where the trunk bifurcates and becomes much lighter. The branches projecting off the main trunk are articulating the points of access and the entrances into the various institutions. On the western side all the public entrances are located, with the main entrance under an enormous cantilevering canopy; while on the eastern side all the service entrances, i.e. staff entrances and loading bays are located. In this way the tree-trunk analogy is exploited to organise and articulate the complexity of the overall “cite administrative”.
The Pierres Vives Building will accommodate the multimedia library, public archive and sports department of the Herault regional government and is due to be inaugurated on 13 September.
A recessed section of green-tinted glass runs along the length of the facade, where a first-floor foyer connects the library and offices with shared facilities that include meeting rooms, an auditorium and an exhibition space.
These shared facilities are contained inside a curved concrete block, which bursts through the glazing to shelter the main entrance on the ground floor below.
Zaha Hadid has also been in the news recently over claims she was to blame for tickets sold at the Olympic Aquatics Centre for seats with restricted views.
This artery is articulated all along the facades as a recessed glass strip and here reading rooms of both archives and library are immediately accessible. Central in this artery and therefore located at the heart of the building, are the main public facilities shared between the three institutions: auditorium and meeting rooms. These shared public functions also form the central volume that projects out from the trunk, providing a grand cantilevering canopy for arriving visitors.
Project: Pierres Vives
Location: Montpellier, France
Date: 2002 / 2012
Client: Departement de l’Herault
Size: 35,000 m2
Architectural Design: Zaha Hadid
Project Architect: Stephane Hof
Local Architect:
Design Phase: Blue Tango
Execution Phase: Chabanne et Partenaires
Structure: Ove Arup & Partners
Services: Ove Arup & Partners (Concept Design) & GEC Ingenierie
Acoustics: Rouch Acoustique Nicolas Albaric
Cost: Gec LR, Ivica Knezovic
