Stockholm studio Tham & Videgård Arkitekter have completed a museum in Malmö, Sweden, adding an extention clad in perforated orange metal.
Called Moderna Museet Malmö, the project involved renovating the existing building and adding a new entrance hall, cafe and upper gallery.
A starting point was that a new art museum, a public and cultural building, represents a rare opportunity to create a new node within the city, the urban balance is changed and the neighborhood develops.
From a distance it is only intelligible in comparison to the adjacent houses, only on close proximity the building and details can be read in its own right.
The elimination of the standard ‘middle-scale’ strengthens the museum’s presence in the immediate urban setting, at the same time as letting the building appear as a signal establishing a relationship with Malmö as a whole.
Inside, the building has been spatially reconstructed. Two new staircases allow the visitor to move in a loop between the grand turbine hall and the upper exhibition rooms.
Seen from the exterior a new extension marks the arrival of the new museum. The extension provides a new entrance and reception space, as well as a cafeteria and a new upper gallery.
Its perforated orange façade both connects to the existing brick architecture and introduces a contemporary element to the neighbourhood.
In Malmö, in the south of Sweden, there was also the possibility to, starting from the industrial architecture of the former Electricity plant dating from the year 1900, create a new art museum with an informal and experimental character that would complement the main museum in Stockholm.
The greatest challenge posed by the project, (in addition to the demanding eighteen-month time limit from sketch-design to inauguration), was the need to adapt the existing industrial brick building to current climatic and security requirements to comply with the highest international standards for art exhibition spaces.
It soon became clear that in reality what was needed was a building within a building, a contemporary addition within the existing shell. This radical reconstruction not only provided a challenge, but also gave the opportunity for something new.
The perforated surface gives the façade a visual depth, and is animated through the dynamic shadow patterns which it creates.
The ground floor is fully glazed so that sunlight is screened through the perforated façade.
In relation to its context, the new addition plays with scale.
The staircases are each enclosed between two walls, which functions to divide the program of the turbine hall into three separate spaces, housing in addition to exhibition spaces a children’s studio and a separate loading area (in fact also used for exhibitions).
As in Kalmar Art Museum, we have been committed to providing exhibition spaces which allow artists and curators to tailor the conditions to each individual exhibition.
Moderna museet Malmö (Malmö Museum of Art) offers a series of white boxes; from the almost domestic scale of the upper gallery, to the Turbine Hall that boasts a unique space of almost eleven meters in height.
Project name: Moderna Museet Malmö
Location: Gasverksgatan 22, Malmö, Sweden.
Client: Stadsfastigheter i Malmö
Start date: 2008
Click for larger image
Completion date: 2009
Project size: 2650 m2
Click for larger image
Exhibition area: 925 m2
Architects: Tham & Videgård Arkitekter.
Responsible Architects: Bolle Tham and Martin Videgård.
Project Architect: Mia Nygren.
Architects: Carmen Izquierdo Làzaro (Façade Architect), Helene Amundsen, Susanna Bremberg, Andreas Helgesson, Eric Engström, Mårten Nettelbladt, Marcus Andrén, Dennis Suppers, Alina Scheutzow, Suzanne Prest, Julia Gudiel Urbano.
Click for larger image
User: Moderna Museet (Lars Nittve, Magnus Jensner, Ann-Sofi Noring, Fredrik Liew)
Contractor: NCC Construction
Called Moderna Museet Malmö, the project involved renovating the existing building and adding a new entrance hall, cafe and upper gallery.
A starting point was that a new art museum, a public and cultural building, represents a rare opportunity to create a new node within the city, the urban balance is changed and the neighborhood develops.
From a distance it is only intelligible in comparison to the adjacent houses, only on close proximity the building and details can be read in its own right.
The elimination of the standard ‘middle-scale’ strengthens the museum’s presence in the immediate urban setting, at the same time as letting the building appear as a signal establishing a relationship with Malmö as a whole.
Inside, the building has been spatially reconstructed. Two new staircases allow the visitor to move in a loop between the grand turbine hall and the upper exhibition rooms.
Seen from the exterior a new extension marks the arrival of the new museum. The extension provides a new entrance and reception space, as well as a cafeteria and a new upper gallery.
Its perforated orange façade both connects to the existing brick architecture and introduces a contemporary element to the neighbourhood.
In Malmö, in the south of Sweden, there was also the possibility to, starting from the industrial architecture of the former Electricity plant dating from the year 1900, create a new art museum with an informal and experimental character that would complement the main museum in Stockholm.
The greatest challenge posed by the project, (in addition to the demanding eighteen-month time limit from sketch-design to inauguration), was the need to adapt the existing industrial brick building to current climatic and security requirements to comply with the highest international standards for art exhibition spaces.
It soon became clear that in reality what was needed was a building within a building, a contemporary addition within the existing shell. This radical reconstruction not only provided a challenge, but also gave the opportunity for something new.
The perforated surface gives the façade a visual depth, and is animated through the dynamic shadow patterns which it creates.The ground floor is fully glazed so that sunlight is screened through the perforated façade.
In relation to its context, the new addition plays with scale.
The staircases are each enclosed between two walls, which functions to divide the program of the turbine hall into three separate spaces, housing in addition to exhibition spaces a children’s studio and a separate loading area (in fact also used for exhibitions).
As in Kalmar Art Museum, we have been committed to providing exhibition spaces which allow artists and curators to tailor the conditions to each individual exhibition.
Moderna museet Malmö (Malmö Museum of Art) offers a series of white boxes; from the almost domestic scale of the upper gallery, to the Turbine Hall that boasts a unique space of almost eleven meters in height.
Project name: Moderna Museet Malmö
Location: Gasverksgatan 22, Malmö, Sweden.
Client: Stadsfastigheter i Malmö
Start date: 2008
Click for larger image
Completion date: 2009
Project size: 2650 m2
Click for larger image
Exhibition area: 925 m2
Architects: Tham & Videgård Arkitekter.
Responsible Architects: Bolle Tham and Martin Videgård.
Project Architect: Mia Nygren.
Architects: Carmen Izquierdo Làzaro (Façade Architect), Helene Amundsen, Susanna Bremberg, Andreas Helgesson, Eric Engström, Mårten Nettelbladt, Marcus Andrén, Dennis Suppers, Alina Scheutzow, Suzanne Prest, Julia Gudiel Urbano.
Click for larger image
User: Moderna Museet (Lars Nittve, Magnus Jensner, Ann-Sofi Noring, Fredrik Liew)
Contractor: NCC Construction
