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Showing posts with label Interpretation Centre. Show all posts
Showing posts with label Interpretation Centre. Show all posts

Interpretation Centre. Paulo Gomes


 

Interpretation Centre by Paulo Gomes

Photographer Nelson Garrido has sent us his photographs of a visitors’ centre by Paulo Gomes that’s nestled into the rock face at an archaeological site in Murça, Portugal.

Interpretation Centre by Paulo Gomes
The back wall of the interior is formed by the rock itself, while a glazed facade affords views down the hill.
Interpretation Centre by Paulo Gomes
The concrete structure houses an information point, reception, cafe and toilets, plus a display of objects excavated from the site.
Interpretation Centre by Paulo Gomes
The text that follows is from the architect:

The archaeological site is located on a hill with 590m elevation on the ridge, southeast of the village of Haystacks, and the area of the “hot land” of the county Murça.
In September 1995 held the first archaeological work to support IPPAR, the National Board for Scientific Research and Technology and the Municipality of Murça – City Hall.
The draft recovery of archaeological study and dissemination of archaeological site was the construction of a building for the reception of visitors and interpretation of the site, defining the routes of access, signage and support equipment and a car park.
Interpretation Centre by Paulo Gomes
Location of archaeological and occupation process
The Castro Lofts is situated in the parish of Haystacks, county Murça and occupies the summit of an imposing quartzite massif located between the villages of Haystacks, and Monfebres Varges. The perspective view of the sunset, we can retain from the cold land of the county, shows a lot of sharp ridge as a gray crystal. Incorporates an archaeological area exceeding 2.5 hectares in area bounded by a stone embankment.
Interpretation Centre by Paulo Gomes
The Crasto was occupied during the following periods:
1 – In the Chalcolithic from the beginning to the end of March. Rd millennium, the structures are implanted a constructive upper deck (sort of “Acropolis”), between 575m and 590m in elevation, much-upright, sustained and flanked by a powerful stone embankment . Another platform, bottom, between 565m and 570m in elevation, is developed around that slope, surrounding the central hill district in north-east, and is, in turn, bounded by an even more powerful stony slope, which separates this built space surrounding area. In both structures are residential structures in the 3rd millennium BC.
2 – During the Iron Age, in 300 BC, the site was chosen for implementation of a “village”. This is a village of farmers, shepherds, metallurgists and manufacturers of glass ornaments. During the year 400/500 that their occupation lasted, on both platforms space “urban” has been subject to constant changes.
3 – Around the first century, its inhabitants built a system of walls on the top line of the embankments of the Chalcolithic period. There are two walls: an inner, fitted with a monumental entrance and surrounding the upper deck or “Acropolis”, one external, which borders the village from outside.
Interpretation Centre by Paulo Gomes
Central reception and interpretation
The building intended to accommodate the interpretive center of the archaeological site, located northwest of the fort hill.
The concept of the project study is organic food demand and an installation process of animal “asado”. The shape is a parallelepiped long to prepare a route. It nests in the depression between two hills, squeezing his hard parallelepiped shape against the rock mass and seeing the gross cubic structure torn threads against the laminated shale.
If we see, who first built here, superimposed stones to the slopes to define an “outside” and an “inside”, who came here later built small vertical walls on the tops of hedges and stone walls in place to defend itself.
At present, this structure is here to welcome, explain and explain. The place is not just a refuge, the village, the factory. It is place to find men, spaces and times that are a part of us.
The building is worked in the constructive expression of mater as a tent, reinforced concrete, supported by the front glass and metal sections with my back to the burrow fraga.
The entrance is where the curtain rises. Is made by the glass surface, directly into the reception and exhibition hall, which also serves as access to outdoor living space overlooking the entire landscape north of Castro.
Interpretation Centre by Paulo Gomes
The space hosts a small exhibition consisting of different materials and objects from the archaeological dig, and has a video installation where they spend several times the recovery site. The building will have sanitation facilities for visitors as well as a space bar linked to the reception. The interior space is open and fluid and enclosures are the only sanitary facilities and space for the water tank.
Access to the parking building will be only pedestrian and road winds its aim is to lead the visitor to observe more carefully the site and relationship with the extraordinary air gap Tua River valley. The technical building is located 30m north of the main building, would be fully buried. This building will install a generator capable of supplying electricity to the main building.
Architectural project: Paulo Alexandre Gomes Fernandes
Project Expertise: Norvir-Consultores de Engenharia, SA


This building project works for the infrastructure to support the archaeological site of Crasto Lofts, consists of building for the reception and interpretation center, parking, paths to visit the site and outdoor equipment and safety signage route.
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Ningbo Science Exploration Centre. MET Studio.

Multi-award-winning masterplanners and exhibition designers MET Studio have been commissioned to create three galleries for China’s new Ningbo Science Exploration Centre, due to open in Spring 2012.  The 50,000 sq m new-build centre will house six permanent galleries in total, across two storeys, and MET Studio (in a joint undertaking between the company’s London and Hong Kong offices) won the pitch to design three of the six galleries, after taking part in an international pitch involving design companies from Europe, the USA, Japan and China.



‘MET Studio has worked on a  number of important museum and gallery projects in Asia since the company’s inception in 1982’, commented MET Studio Chairman Alex McCuaig, ‘but mostly in Singapore, Taiwan, Hong Kong and Macau.  Although we have also worked in mainland China before, this is the largest such project and we hope it will be the first of many’.

Harmonious Home Gallery
The subject matter for the new-build science centre is the natural world and the laws of physics, with an underlying didactic message about how we can best protect the earth, by examining how we live on earth and how we sustain our quality of life on earth.  The centre will be one of the major attractions in a new cultural plaza in the city of Ningbo, which will also include an IMAX theatre, a Children’s Museum and a Performing Arts Centre.  Ningbo, a seaport and one of China’s oldest cities, located on the country’s eastern coast, south of Hangzhou Bay.
The three large-scale galleries, each measuring between 2,000 and 2,500 sq m, are entitled ‘Universe’, ‘Harmonious Home’ and ‘Ocean’.  The MET Studio London team has designed ‘Universe’ and ‘Harmonious Home’, under the direction of Design Director Lloyd Hicks, whilst the company’s Hong Kong team is overseeing the ‘Ocean’ gallery, under the direction of Design Director Neil Williams, with Lloyd Hicks and Chinese advisor Dr Tai overseeing the delivery of the whole three- gallery project.  Graphics and communication in the galleries (also to be created by MET Studio) will be bi-lingual, in both Chinese and English.

Universe Gallery

Universe Gallery
The ‘Universe’ gallery will look at cosmology and the origins of the universe, from the ‘Big Bang’ to the expansion of space and our means of examining space, from space telescopes to space travel and space biodomes.  Design features will include a theatrical film introduction; a huge projected solar system on the gallery floor, where visitors can interact with stars and black holes and Wii-style games where visitors see how astronauts train for a mission and deal with g-force and micro gravity, as well as a bungee walk exhibit, where real life weight is temporarily neutralised.

The ‘Harmonious Home’ gallery considers man’s effect on the earth, examining our carbon footprint and asking how carbon mass contributes to global warming.  Visitors will be asked to consider lifestyle choices and their effect on the earth through a highly interactive exhibition which examines for example the true cost of bringing a cheeseburger to market or, on a larger scale via an ‘impact wall’, how mass human consumption affects the earth and how what we take out in terms of quarrying, timber-felling etc correlates badly with the waste, toxic or otherwise, we return to the earth.


Ocean Gallery Axo


Ocean Gallery
The ‘Oceans’ gallery will first explore the driving forces and principles of the world’s oceans.  The locally-important theme of ocean trade throughout history and in contemporary society will anchor the gallery, with a major area focusing on modern port technology in the heart of the space.  Visitors will be able to investigate the rich mineral life and biodiversity of the oceans before immersing themselves in themed areas, looking first at the two major polar oceans and finally at the wonders and unexplored mysteries of the deep ocean.
‘Ningbo is a remarkable city’, commented MET Studio Design Director Lloyd Hicks, ‘and this new science centre is a major undertaking and the culmination of a huge research programme into other science centres worldwide.  This is an encouraging and original initiative, which is seeking to make a mark with a really original interpretation’.
Architect: MET Studio
Location: Ningbo, Zhejiang, China
Opening Date: Spring 2012






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