Tapping grunge is nothing new, but in Van Noten's couture-capable hands, it took on a shiny, minty-fresh veneer. Flannels and plaids—sometimes in delicate metallics, resembling the invitation—were gently tapered, artfully mismatched, and clearly not meant for a lumberjack's back.
Crumpled rosettes spilled down the fronts of skirts in elegant cascades, not in the inebriated way. Meanwhile, Love's ever-present slipdress made several appearances, ending with an enormous sheer version, only there were plenty of clothes underneath, as layering once again played a central role for the designer.
Van Noten's usual men's trappings were again evident in pajama-like bottoms with gathered hems, men's shirting with pockets aplenty, and a few tuxedo lapels and luxurious smoking jackets.